"People hate me for the life I lead," insists Mary Page Keller, and
indeed sometimes she feels like she must be the most disliked person in
America. Why? Sheer envy by her lessers of a kid who has everything. At 26
she's got the lead in the most effervescent new sitcom on TV, Fox
Broadcasting's Duet. She's got a large antique-laden co-op in Manhatten
and a similar-size rental in Hollywood. She's got a black four-wheel-drive
Chevy. But the prime cause of jealousy, as Keller sees it anyway, is that she's got Thomas
Ian Griffith, a blue-eyed guy with
shoulders as wide as a surfboard is long, who was her co-star on the soap
Another World. "We're both headstrong and we clash, but I've never met a
man who looks out for my needs the way Thomas does," says Keller,
who at the moment is whipping up a batch of banana-nut muffins with him in
her Hollywood kitchen. "He's the brightest, smartest person I know. We're so
together, I think people hate us." At that, Griffith brings her down to
earth with a playful jab to her arm. "Why you pretentious brat," he says.
Actually she doesn't seem pretentious at all. Confident and
self-possessed, yes, but not puffed up like a Wilshire Boulevard publicist.
She's sweeter than that. In fact, with those hazel eyes and that
delicately boned face, Keller is perhaps the prettiest female
lead in TV comedy today.
Eat your heart out, Bea Arthur.
which premiered in April, owes much of its
appeal to a unique premise. Step by step, it follows the romance between
(Keller) and a detective novelist (Saturday
Night Live trouper Matthew Laurance) from their first meeting to first night to
first fight. No one is saying wether the show's June 28 cliffhanger ends with
wedding bells or alone-again blues. On the other hand, no one is denying that Duet became
a hit only after smoothing over some early rough spots. Keller
admits the show seemed out of sync at first, mostly because the cast
members (including Jack Lemmon's son Chris) weren't used to each
other. "But in the ensuing episodes we've worked well together," she
says. "There are no stars here, nobody with any more clout than
anyone else." Duet's co-creator Ruth Bennett agrees that cooperation
is the dominant cast motif. "I can't see Mary, for example,
straining to be a star," says Bennett. "But who knows? Someday I
hope we have the chance to deal with a star problem."
If so, they may be dealing with Keller, whose easy walk to the top
has been surprisingly surefooted. She was born in L.A., where her
mother had worked as an animator on such Disney films as
Pinocchio and Fantasia. When Mary was 10, her father, a
structural engineer, moved the family to Silver Spring, Md. Mary was
a senior at Springbook High School when she tried for and snared her
first lead role as Dorothy in The Wizard Of Oz. Studying
drama at the University of Maryland, she won the lead as Laura in
The Glass Menagerie.
side: A pool player nearly all her life, Keller keeps her stroke in
shape by racking up frequently at an L.A. sports center. (click to
hated me for that," she recalls, typically. During the play's run, Mary heard
that Ryan's Hope was auditioning for an ingenue. She got the part -naturally-and
moved to NY within the month. Unfortuantely Keller was let go 7 months later.
But in May 1983, after only three months' unemployment, she was hired to play
Another World's beleagured Sally Frame. Keller stayed
with the show for 2 years, becoming one of the most beloved--or, in her terms
begrudged-- members of the soap brigade.
A half year after she was cast, Thomas Ian Griffith auditioned as
rough-and-tumble womanizer Catlin Ewing. Keller's first thought
was," I don't care who they cast. What's this man's name?" Despite the
favorable reaction, she and Griffith didn't start dating until six
months later-- about the same time their characters did. The parallel
relationships, so convienient for the show's publicity, "ticked me off,"
says Keller. "I felt like telling the writers, 'Hey, this is my life. Don't
put it out on nationwide TV."
side: "It's easy for him to bench-press me because I'm literally
half his size," the 107-pound Keller says of the 215-pound Griffith.
(click to enlarge)
Mary left the show when her contract was up, making a horror movie called
Scared Stiff ("The stupidest thing I've ever seen," she says) before landing
Duet last December. Her relationship with Griffith easily survived her departure
from the soap. "90% of the actors working together get this
heated, passionate thing," she says. "Then it falls apart because it was based
only on what they're characters were doing. But not us." Although they're
not planning an imminent marriage, Mary says, "We take it as fact that we're together for the rest of our lives."
"Yeah," laughs Griffith, "she's stuck with me."
Griffith, 27, left Another World last December and is looking for roles in LA,
hoping he and Keller can work in the same town. It seems a good bet,
because Duet has just been picked up for another
second season on Fox. With her
immediate future assured, Keller can afford at least one career certainty--no more
soaps. "It's good experience, good money and I met my boyfriend that way, is the best thing that ever
happened to me," she says. "But the soaps are an area of my life I've written
off. If you can memorize lines, look natural and speak English, you can do a
Griffith agrees. "You don't have to be a good actress to do a soap
opera," he says, "so people who have other things going on in their lives
stand out." One thing about Keller: Like her or dislike her, she certainly
is a standout.